Say Cheese TV Ending Guide: How to Photograph the Television

Make the television the subject

TV is a camera experiment rather than a normal crowd story. A photo of a person standing beside the television can be interpreted as a portrait, so the first job is to isolate the screen as clearly as possible.

The linked base chapter lasts more than two minutes and changes through several visual states. Give each report time to play. A brief period of static is not evidence that the route has failed.

Follow the screen through the loop

Watch the picture inside the television after every accepted shot. The route progresses from filming the TV to a stranger arrangement of broadcasts. The relevant target changes with the scene, which is why a single screenshot is less useful than the three-stage sequence below.

1. Begin a fresh run and frame the central television without a visitor dominating the viewfinder.
2. Take a TV photograph, wait for the broadcast, and photograph the monitor again when control returns.
3. Continue through the recursive screen and static sequence. When several televisions appear, compare them and select the active or changed set shown in the footage.
4. Wait through the final broadcast transition and verify the TV Ending card.

TV and Off Air are separate routes

Repeatedly recording the television is the defining experiment here. Off Air uses a different recorded approach: withholding photographs at the beginning. A dark screen appears in both videos, but that visual similarity does not make the routes interchangeable.

If a portrait headline appears instead of a TV report, a nearby visitor may have taken priority in your frame. Restart and wait for a clear shot. Avoid counting clicks while the game is still playing a report, since input during a transition may not be accepted as a new photograph.

Questions about this route